Almost two years ago, we launched the revamp of Klynt, our in-house prototype editing production tool with the goal to design a versatile, professional & universal application.

Today, we are thrilled to invite you to participate to our open demo release.
It’s free and takes only a few minutes to download and install.

>> Try it now!

Klynt is a project by HonkyLab, Honkytonk in-house media lab.
Follow us on twitter : @HonkyLab & @klynt_app
Share and like Klynt on facebook

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About Klynt

Klynt is a new editing & publishing app dedicated to interactive storytellers. It was designed to help authors create immersive online content using the internet both as a distribution & creative space. With Klynt, authors can connect to today’s most popular media platforms and social networks to explore new narrative formats without writing a single line of code.

We are very pleased to launch Klynt.net official news & community website.

We thought about it as both a vitrine for the app but most of all, a place to share ideas and feedback on the soon to open Klynt community area.

This is also the opportunity for us to unveil Klynt’s new visual identity, interface and features, designed  by our team at Honkytonk Films and developped with the indirect help of the thousands of developers forming today’s magnificent open source community.

Follow-us on twitter @honkytonkfilms @klynt_app
LIke & share on Facebook ]]> http://www.honkytonk.fr/index.php/honkytonk/klynt-net/feed/ 0 http://www.honkytonk.fr/index.php/honkytonk/news-fall-2010/ http://www.honkytonk.fr/index.php/honkytonk/news-fall-2010/#comments Fri, 15 Oct 2010 12:43:42 +0000 Arnaud http://www.honkytonk.fr/?p=951

Tunis, Tunisia (Maarifa Conference)
October 26th 2010, 14:00pm
NEW FORMATS, NEW PLATFORMS, NEW OPPORTUNITIES
Canal France International has just launched the Maarifa project (“knowledge” in Arabic), with a presentation for members of the Asian States Broadcasting Union (ASBU) attending their AGM. This ambitious project, which consists in developing educational multimedia programmes with partners from Mediterranean region, will be deployed over two years, with support from the ASBU and France 5. At least 20 skills transfer workshops, interspersed with plenary meetings, will be organised at the selected TV channels.

http://www.maarifa.tv/ (fr)

Amsterdam, The Netherlands (IDFA / DocLab)
17-28 November 2010
ROUND TABLE PITCH & LIVE SCREENING
The International Documentary Festival in Amsterdam (IDFA) is hosting every year two major events:
- The FORUM, the international co-financing market for documentaries and Europe’s largest gathering of filmmakers, television commissioning editors, and independent documentary producers. We will be “pitching” there our project Boomtown Babylon to fellow professionals.
- DocLaB, a special festival happening during IDFA. It was created to present films, web documentaries, and installations that innovate the documentary genre. Projects are showcased in the Doc Lab Media Lounge and in cinemas during a number of special Live Screenings and events. We will be presenting our latest webdocumentary iROCK as part of the official selection during The Web Rocks, a live showcase of online and interactive music documentaries of this cutting-edge festival on Tuesday 23rd.

http://www.idfa.nl (en)
http://www.doclab.org (en)

Laëtitia Moreau sur le tournage du Challenge en Equateur

Dans ce bref entretien réalisé pour le dossier de presse du Challenge, Laëtitia Moreau revient sur ces motivations à s’engager dans un projet de web-documentaire, en complément de son documentaire pour la télévision.

Pourquoi un web-documentaire ?

En tant que réalisatrice de documentaire, l’idée de réaliser un web documentaire m’a tout de suite séduite car il y a toujours des parties de l’enquête de préparation du documentaire que l’on doit sacrifier à l’heure d’écrire son synopsis et de tourner pour la télévision. Ce support me permet donc de développer un point important, le scandale de la Texaco, et d’apporter un complément d’information au documentaire qui passera sur Canal+.

Je l’ai pensé comme un documentaire à part entière et non comme une version un peu modifiée du film réalisé pour la télévision. L’écriture du synopsis a été un exercice nouveau et créatif.  Un exercice de mise en scène d’un travail qui normalement ne se voit pas dans les documentaires que je réalise : celui de l’enquête journalistique. Une mise en scène possible par l’utilisation de tous les supports du web (photos, texte, musique, vidéo et lien interactif) mais dans le cadre d’une contrainte forte : le respect de la réalité des faits et des propos.

Qu’est-ce que le web peut apporter au projet ?

Il y avait de la part des personnes filmées en Equateur comme une frustration que la diffusion soit uniquement en France. C’est un sujet global qui mérite une diffusion globale ce que nous offre évidemment le web documentaire.

Un vision engagée ?

J’aimerais évidemment qu’il connaisse la diffusion la plus large possible pour faire connaître les enjeux qui traversent l’Amazonie équatorienne. Sur ce sujet spécifique, le web permet à l’internaute de prendre conscience et position sur un sujet qui a priori est éloigné de lui. Cet aspect « citoyen du monde » est aussi très motivant  dans ce projet.

En savoir plus sur le challenge : le procès du pétrole en Amazonie

Voir le webdoc sur canalplus.fr

Lire l’entretien avec Samuel Gontier sur Telerama.fr

At Honkytonk, we have always liked to get our hands on new creative and productive tools. For me, it all started a couple years ago with cubase, photoshop, finalcut, Indesign, flash and so on. I also remember a quiet recent time when I would spend hours testing new software / engines for building websites (wordpress, joomla, drupal…), managing and creating communities (myspace, secondlife, facebook, ning, twitter…), hosting videos (daily, youtube, videoegg – remember?, vimeo…).

Yet nothing about interactive storytelling (I mean using Keynote to build Journey to the End of Coal narrative structure was fun but, well… not a thrill).

So here we are with Klynt, a software in between Clint Eastwood and Klimt, Final Cut and the world wide web. A flash application we have been dreaming from the start to create interactive storytelling.

Now, we are anxious to tell you more. We certainly will. There is nothing more than making a long story short they say.

Arnaud
@ArnaudDressen @HonkytonkFilms

The Big Issue, Samuel Bollendorff’s new web documentary on the obesity epidemic was released this week on French Educational website curiosphere.tv (France 5).

Coming up, we will be presenting this new project at the following locations:

- in Berlin for PRIX EUROPA, a pan-european competition for emerging media on October 23rd

- at Sheffield Doc/Fest, UK’s cutting edge documentary festival on 4-8 November (official competition for “innovation awards”)

- at European Days, Torino’s based co-production forum on 12 November

- at Parisian new media Festival des 4 Ecrans on 18-20 November (official competition in the “web films” category)

- at The International Documentary Festival Amsterdam (IDFA), on 20th November (Doclab selection)